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Tschabalala Self, Red Dog, 2019
Tschabalala Self, Red Dog, 2019

Tschabalala Self

Red Dog, 2019
Fabric, embroided patch. newsprint, photo-transfer, gouache, acrylic, flashe and painted canvas on canvas
243.8 x 213.4 cm
96 x 84 in
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%3Cdiv%20class%3D%22artist%22%3ETschabalala%20Self%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ERed%20Dog%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2019%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EFabric%2C%20embroided%20patch.%20newsprint%2C%20photo-transfer%2C%20gouache%2C%20acrylic%2C%20flashe%20and%20painted%20canvas%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E243.8%20x%20213.4%20cm%3Cbr/%3E%0A96%20x%2084%20in%3C/div%3E

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In this work the figure leans casually against a red brick wall. The brick wall motif is use repeatedly throughout Street Scenes to delineate the formal and conceptual boundaries of...
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In this work the figure leans casually against a red brick wall. The brick wall motif is use repeatedly throughout Street Scenes to delineate the formal and conceptual boundaries of the named space; the street, a vague yet symbolically charged locale. The use of this formal device was inspired by the paintings of Martin Wong, who poetically depicted L.E.S. in the late-1980's. My street is located in Harlem and my protagonist is situated in the now. Wearing Timberland boots, rolled up jeans, a white tank top and cross chain - the protagonist embodies a Marlboro-esque masculinity. With hands stacked and gaze diverted he appears both mysterious and potentially mischievous. The shadow of a fellow pedestrian can been seen to his left. A shapely woman walking a large red dog, from whom the works borrows its title.
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